The Moco Loco Era: Modern Contemporary Design
Between 2009 and 2013, EEPMON’s work was frequently curated and featured by Moco Loco, one of the most respected global platforms for modern contemporary design and architecture. In the landscape of early-2010s digital media, Moco Loco was the “Gold Standard” for high-end aesthetics, serving as a daily briefing for architects, interior designers, and professional creators worldwide.
Being featured in Moco’s Flagship Interviews was a significant pivot for EEPMON’s practice. It shifted the conversation from “digital illustration” to “high-end design,” placing his work in a context of functional beauty and technical innovation.
Key milestones captured by Moco Loco included:
Generative Design & Code: They were among the first to deep-dive into EEPMON’s use of computer programming as a fine-art medium, highlighting the “Intersections” of math and art in his projects for Microsoft.
Spatial & Physical Installations: The site’s audience of architects resonated with how EEPMON’s work lived in physical spaces—from his early design projects with MINI to the large-scale presence of his art in the Tokyo gallery scene.
Global Design Bridge: Through their coverage of EEPMON’s Japan-based projects (including work for Dentsu and Yamaha Ginza), Moco Loco framed the EEPMON brand as a sophisticated bridge between North American digital innovation and Japanese minimalist design.
For EEPMON, the Moco Loco features provided “design-first” credibility. They introduced his work to a discerning audience that valued the technical precision behind the art, helping him establish a permanent footprint in the world of high-end lifestyle and architectural design.
